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On Stage: Australian Brandenburg’s Bittersweet Obsessions: Monteverdi & Bach
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However given the theme and the performance of both the orchestra and singers there was more than enough emotion during this colorful and at times moving concert. Visit travelswithjb. Australian Brandenburg , live shows , review. Name required.
AUSTRALIAN BRANDENBURG ORCHESTRA : BITTERSWEET OBSESSIONS | Sydney Arts Guide
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Learn how your comment data is processed. The author discusses the creation of this site-specific work for the 35th Venice Biennale during tumultuous year of when many American artists boycotted the event due to the Vietnam War.
The author assesses the physical and psychological properties of chocolate and how Ruscha's installation manipulates these qualities as a deliberate act of provocation. Stains , a seventy-five page, unbound book is also discussed in relation to Chocolate Room, highlighting Ruscha's interest in and experimentation with organic substances. The author situates these projects between the overlapping developments of Pop and Conceptual Art in America during the s and 70s —— both of which are indebted to the 'anti-art' ideologies of Duchamp and the Dadaists.
The author concludes with the unexpected demise of the installation and alludes to the ways in which the substance of a medium can transform the meaning of an image. NOTE: We only request your email address so that the person you are recommending the page to knows that you wanted them to see it, and that it is not junk mail. We do not capture any email address.
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